Excerpts from the:
Trance Formation of America
by Cathy O'Brien and Mark Phillips
Archive file# e101999a
donated by James Vandale
Trance Formation of America
"Trance Formation of America is the documented autobiography of a victim of government mind control. Cathy O'Brien is the only vocal and recovered survivor of the Central Intelligence Agency's MK-Ultra Project Monarch mind control operation. Chiseled deep into the white stone of the CIA's Langley, Virginia headquarters is a partial verse lifted from the Holy Bible and writings of Saint John...'and the truth shall make you free.' This statement, like the agency, is total reality. The building that it is engraved upon houses the world's most successful manufacturer of lies to facilitate psychological warfare." On May 7, 1966 a 9 year old child named Cathy O'Brien was subjected to an occult ritual she called "The Rite to Remain Silent" in alleged preparation for her future interdimensional expeditions.
"I work for the Vatican, and now, so do you," [Michigan State Senator, Guy] VanderJagt told me. "You have just entered into a covenant with the holy Catholic church. You must never break that covenant."
Still capable of questioning at that time, I asked, "What is a covenant?" VanderJagt answered, "A covenant is a promise to keep secrets, the secret that the church knew all along. The Pope has all the secrets locked away at the Vatican. Your Uncle Bob and I have been to the Vatican. It is time you entered into the holy covenant and learned the secrets of the church that were written long before Christ even came into being. The Dominican monks kept the covenant that Noah carried into the new world. They kept the secret with them. It was written on parchment and kept in a secret place in the Vatican. They took a Vow of Silence to never reveal its location, or its content. You must enter into the covenant. You must carry the secret to your grave. Keep it secret from your mom, dad, everybody."
VanderJagt proceeded to fill my suggestible young mind with biblical interpretation that laid the groundwork for future "inter/inner dimensional" programming themes utilized by Project Monarch programmers to control the compartmentalization of memory synonymous with MPD/DID. [MPD = Multiple Personality Disorder]
"Christ saw them all," VanderJagt was telling me. "They are dimensions, places you can see on your way to death. That's why they're called die-mentions. You must remember that Christ died and came back to tell us everything he saw while he was on his way to heaven. He was gone three days, but it was much longer than that where he was because time isn't the same in other dimensions. Purgatory is one other dimension. Hell is one. And there are lots of others in between. Oz is another dimension. The sky is not the limit to all the worlds out there waiting to be explored. You can travel in and out of all these dimensions, learning the secrets of the universe. You have been chosen to explore these other worlds for the church. Listen in the stillness and you will hear his voice guiding you on your missions. The rosy cross is like Dorothy's ruby slippers. Never take your rosy cross off, Cathy, when traveling other dimensions and you will always be able to return home."
Father Don [apparently from Muskegon's St. Francis of Assisi Church] joined VanderJagt in a ritual which bathed me in the blood of a slaughtered lamb, and subsequently, through this hideous blood trauma, locked their stated perceptions and a basis for mind-control programming deep in my mind. This basis for programming was anchored in the Vow of Silence which the Jesuit monks take "not only to keep secrets, but so they can still their mind and hear their inner guidance." Certain that the "Rite to Remain Silent" which they had performed would ensure that I keep their secrets, Father Don and Guy VanderJagt subjected me to their pedophile perversions. The two joked that I had become "a good Cathy-lick".
Cox was ordered out of Johnston's office, and he turned his full attention to me. When alone with the Senator [U.S. Senator Robert C. Byrd, D. West Virginia], Johnston [U.S. Senator J. Bennett Johnston, D. Louisiana previously of Shreveport General Dynamics R & D, now apparently affiliated with USPECC, on the Reston, VA Columbia Gas board of Directors and CEO of the Washington-based Johnston and Associates] manipulated my mind, and ultimately my beliefs and perceptions, for future programming. He referred to a picture of himself shaking hands with unknown Navy brass as he dramatically told me, "I was there that fateful day in 1943 when a hole was ripped in the fabric of time through what later became known as the Philadelphia Experiment. All those fine boys vanished along with their ship in a bizarre twist of events that parallels the Atlantis disappearances. A vortex was created in an effort to slip dimensions and become invisible to the enemy. It was a success beyond the highest expectations and launched us all into universal travel.
It is no wonder at all that we have had a man on the moon. Traveling to distant planets and galaxies is Mickey Mouse stuff in comparison to the high tech wizardry of trans-dimensional travel. Trans-dimensional travel circumvents all measures of time, including distance and speed. When the fabric of time was torn, we opened ourselves up to intergalactic travel -- both in and out of this dimension -- and in and out of the future, as well as the past. We can alter the course of history by traveling back in time to alter events, or we can blast off into the future and gain wisdom and knowledge of events yet to come. We can control the future by controlling the past. At present, this is a relatively easy task according to the theory of relativity and abilities gained through the Philadelphia Experiment.
I came back an ET (extraterrestrial) myself. And our ship returned to this Earth as a spaceship. I gained the keys to the universe on that fateful day, and I carry them with me now, sharing only a Key or two at a time with those who are Chosen. You are a Chosen One (Johnston was deliberately interfacing with Rite to Remain Silent conditioning), and therefore must learn the ins and outs of interplanetary travel. Your mission is trans-dimensional. You can span infinite dimensions by learning from me. Take it from me, you're going places, kiddo. And I'll teach you to get there by riding the light. I'll teach you the groundwork, and you do the light work. The key to the universe lies in the speed of light. The only way to travel is by beam of light. You will learn to go to the light...Your mission is to learn how to Tinker with time. I'm going to take you on that journey myself. Come with me now. It's time we were leaving this plane and boarding another."
Johnston took me the short distance from his General Dynamics Corporation
provided office to the Barksdale Air Force Base airfield. He was apparently well
known at Barksdale, and a small cargo plane was ready to take us to our
destination -- Tinker Air Force Base in Oklahoma.
I was then quickly taken to [George] Bush's Residence Office, which heretofore
was unfamiliar to me. Although it had slate blue, plush carpets and fine
furnishings like the White House office, lattice work and smaller rooms provided
a different air. I sat in a hard-back wooden chair as ordered, while Bush
carefully positioned himself in front of me on a little wooden footstool. This
allowed me clear visibility of the large book that he held in his lap. All
illustrations faced me, while all text except the last page was printed in the
holder's direction. This book was a unique, high tech piece of art specifically
designed to enforce Bush's favorite method of programming, "You Are What You
Read". The juvenile face depicted on the front of this hardcover book gave it
the appearance of a children's storybook. It was entitled About Faces.
Bush explained the dynamics of "changing faces" and "becoming what I read".
Although I had been conditioned to this idea all of my life through Disney
stories, The Wizard of Oz, Alice In Wonderland, etc., I was not prepared for
Bush's version of "You Are What You Read" programming explanations.
illustrations themselves were elaborate, consisting of mirrors add hypnotic
depictions. He seemingly made the book come alive in my mind as he read page
after poetic page of hypnotic, metaphorical language, all the while creating
powerful illusions. His impersonations of the characters further enhanced the
desired affect of fantasy becoming reality. This extraordinary effort to
scramble reality would have worked -- perfectly -- had it not been for another
victim and myself discussing it only a few days later.
Throughout my tenure as a Presidential Model mind-controlled slave, I was
provided specific books according to Bush's program. These books, delivered
through pre-established channels such as Ken Riley, Alex Houston, and even
Ronald Reagan, came complete with specific commands on how they were to be
interpreted and used. Some books were used to instruct me on operations; some
were an attempt to scramble my memory with fantasy; others were used to load my
mind with pertinent data such as bank account passbook numbers, and so on.
I read stories of espionage, including Robert Ludlum's Bourne Identity, and
William Diehl's Chameleon. Mostly I was provided steamy sex novels for further
training as well as scrambles. Kelly was conditioned to fairy tales, Steven
Speilberg's ET, NASA NSA operative George Lucas' Star Wars, and the nightmarish
Never Ending Story. Steinbeck's Of Mice and Men caused Kelly constantly to quote
the defendant character of Lenny for years saying, "Tell me what to do, George".
She still does this each and every time I am allowed to visit with her in the
mental institution. The attending therapist overseeing the visit has yet to pick
up on this programming cue, and I am forbidden by Juvenile Court order not to
discuss Kelly's past or therapy.
To HiddenMysteries Internet Book Store
Search this Reptilian Agenda Website
HiddenMysteries and/or the donor of this material may or may not agree with all the data or conclusions of this data.
It is presented here 'as is' for your benefit and research. Material for these pages are sent from around the world.
Reptilian Agenda Website is a publication of TGS Services
Please direct all correspondence to
TGS HiddenMysteries, c/o TGS Services,
22241 Pinedale Lane, Frankston, Texas, 75763
All Content © HiddenMysteries - TGS (1998-2005)
HiddenMysteries.com Internet Store ~ HiddenMysteries Information Central
Texas National Press ~ TGS Publishers Dealers Site
All Rights Reserved
Please send bug reports to firstname.lastname@example.org
FAIR USE NOTICE. This site may at times contain copyrighted material the use of which has not always been specifically authorized by the copyright owner. We are making such material available in our efforts to advance understanding of environmental, political, human rights, economic, democracy, scientific, and social justice issues, etc.. We believe this constitutes a 'fair use' of any such copyrighted material as provided for in section 107 of the US Copyright Law. If you wish to use copyrighted material from this site for purposes of your own that go beyond 'fair use', you must obtain permission from the copyright owner.
In accordance with Title 17 U.S.C. Section 107, the material on this site is distributed without profit to those who have expressed a prior interest in receiving the included information for research and educational purposes. For more information go to: http://www.law.cornell.edu/uscode/17/107.shtml
United States Code: Title 17, Section 107 http://www4.law.cornell.edu/uscode/unframed/17/107.shtml
Notwithstanding the provisions of sections 106 and 106A, the fair use of a copyrighted work, including such use by reproduction in copies or phonorecords or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright. In determining whether the use made of a work in any particular case is a fair use the factors to be considered shall include - (1) the purpose and character of the use, including whether such use is of a commercial nature or is for nonprofit educational purposes; (2) the nature of the copyrighted work; (3) the amount and substantiality of the portion used in relation to the copyrighted work as a whole; and (4) the effect of the use upon the potential market for or value of the copyrighted work. The fact that a work is unpublished shall not itself bar a finding of fair use if such finding is made upon consideration of all the above factors.